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BB's Anthology Rankings

Counting Crows

Counting Crows recently released their commencement new music in over 7 years, the wonderful Butter Phenomenon Suite I (even if it is but a 4-song EP - Hopefully more will be on its mode presently.), and since Counting Crows are one of my favorite bands, I thought this would be a good time to practice an album ranking of all the Counting Crows studio albums. That is, listing my favorites in order from to the lowest degree to nearly favorite (all just my own personal opinion).
Counting Crows are a neat band, and I think quite underrated, as they are certainly one of the best stone bands of the terminal 30 years. Yet, for any reason, they accept been somewhat dismissed by many. Known for their dynamic live performances and the moody, impassioned songs and vocals of Adam Duritz, merely the unabridged band is top-notch, creating rich and engrossing atmospheres, infectious grooves, and cool arrangements.
Their beginning album, August and Everything After (1992) was released to much acclaim, fame, and notoriety, containing such archetype songs and radio mainstays as 'Pelting Male monarch', 'Round Hither', and 'Mr. Jones'. But subsequent albums, fifty-fifty though the band has grown and developed into a more versatile and dynamic ring, have not been too-received or loved overall. Merely if you haven't listened much to those subsequent albums, you are really missing out on much of their best work. Although they take non been the near prolific ring, releasing simply 7 albums over nearly thirty years, each album has been a joy, containing much corking music, with outstanding individual songs also as wonderful overall albums. Yet at that place seems to be a mutual perception that their first anthology was great and all the rest are merely OK, or mayhap good merely not great. But I have to disagree, equally their entire catalog is quite splendid. Certainly there are some I like much more others (which is what this list is about), but all their albums are very good and take something worthwhile to offer.

Counting Crows was starting time formed in Berkeley, CA in 1991, by songwriter-vocalist Adam Duritz and producer/guitarist David Bryson, initially as an acoustic duo, and ocasionally likewise performing with guitarist/multi-instrumentalist and friend David Immergluck. Other Bay area musicians somewhen joined the emerging band to form the early lineup including Matt Malley (bass), Charlie Gillingham (keyboards), and Steve Bowman (drums). Their 1992 demo tape attracted a behest war of interested labels, and their first album, August and Everything Later on (1992), was released to much acclaim. The first unmarried, 'Mr. Jones' was an immediate breakthrough hit, and was followed by 'Round Hither' and 'Pelting King'. With the anthology a hit and large-scale touring throughout 1993 and 1994 to follow, they added another guitarist, Dan Vickrey, to the ring. Their 2d album, Recovering the Satellites (1996) was heavier, darker, and a bit more than eclectic, merely solidified their condition as a premier rock band, as did subsequent albums This Desert Life (1999), Hard Processed (2002), Saturday Nights and Sunday Mornings (2008), Underwater Sunshine (2012), and Somewhere Under Wonderland (2014). Although they have released several live albums (every bit well as fabricated audio from most of their live shows available through their website), they have only released 7 studio albums throughout their history. This is my personal ranking of their illustrious output.

seven. Underwater Sunshine (2012).

This album takes the lesser position primarily because it is an all-covers album, with no original songs from the band. But with that said, it is notwithstanding a very good collection of cover songs. The Crows put their own personal postage on each one, and all are entertaining and worthy of being included. And the vocal choices are very good throughout, but perhaps not what might be expected. I retrieve it was a wise decision to choose mainly lesser-known songs from bottom-known artists, and not just exercise their versions of other's hits. The exception to this are the covers of 'Amie', 'You Ain't Goin Nowhere' and 'Ooh La La', all either hits or very well-known songs, but the rest are much lesser-known, but withal all quite good. The large revelation of this album, still, is the band'southward analogousness for country-rock, as easily half of the album consists of songs that are either outright state-rock (covers of Pure Prairie League, Gram Parsons, Bob Dylan) to ones that have a incomparably country-rock or folk-rock feel. And until this anthology, I never associated this band with country-rock at all. So, a very good album, but does not quite match any of their original material albums. Best Songs: 'Four White Stallions', 'Return of the Grievous Angel', 'Carol of El Goodo', 'Amie'.

half dozen. Saturday Nights and Sunday Mornings (2008)

Their fifth album is divided into 2 parts, the more upbeat and raucous Saturday Nights (half dozen songs), followed past the more subdued and introspective Sunday Mornings (viii songs). And although I go the concept here, this division very much hurts the flow of the album, and results in a very lopsided whole. The Saturday Nights portion is great from showtime to finish. It includes 2 of their hardest (and all-time) rocking songs,'Cowboys' and '1492', with screaming guitars and driving rhythms, as well as such delightful songs as 'Los Angeles' and the infectious groove of 'Sundays', just a superb start to the album. However, when information technology switches over to the softer, slower, more introspective side, the flow of the anthology comes to a halt. Although there are some gems on this side every bit well, such as 'Washington Square', 'When I Dream of Michelangelo', and the album closer, 'Come Effectually', the succession of multiple rather dreary, depressing (and overly long) songs, peculiarly the back-to back dirges of 'Le Ballet D'or' and 'On A Tuesday Afternoon in Amsterdam Long Agone' (which seems like just a another less-successful variation of 'Raining in Baltimore') drags the album down. Again, all the same many great songs here, but also a few of their dullest, least memorable songs.

5. Hard Processed (2002).

A greater consistency of good tracks throughout the album put this ane but alee of SNaSM, even though the best songs from SNaSM are amend than anything on this album. Starts off with 'Difficult Processed' and 'American Girls', two dynamite opening tracks. Other highlights include 'If I Could Requite All My Love', 'Miami', 'New Frontier', and 'Carriage', songs with just great melodies and feel throughout. The album too includes 'Big Yellowish Taxi' as a subconscious bonus track after 'Holiday in Spain', and information technology is just swell besides, with it's cool groove and vibe. Information technology should exist taken for what information technology is, not really part of the album, but a nice bonus rails, but for fun. And then, a very solid album, simply i that does not quite rank with their very all-time.

Ok, at present we come to the top 4, and all of these are just great, archetype albums.

four. Recovering the Satellites (1996).

Their second album, and post-obit the quantum success of the start album. Showing a heavier, darker edge, which came about somewhat from the struggles the ring (and especially Adam) had in dealing with their sudden fame. Harder rocking, more diverse, and more than expansive (14 songs, nearly an 60 minutes long) than its predecessor, the album independent songs ranging from the screeching guitars of 'Angels of the Silences' to the bluesy groove of 'Mercury' to the gentle beauty of 'A Long Dec'. Although not as melodic and non equally accessible (it takes several listens to fully appreciate), information technology is a slap-up follow-up to their debut album. Best songs: 'A Long Dec', 'Daylight Fading', 'Goodnight Elizabeth', 'Another Horsedreamer's Blues', 'Mercury', 'Recovering the Satellites'. Weakest songs: 'Children in Bloom', 'Monkey'.

iii. August and Everything Afterwards (1993).

Their stunning debut album, with its string of hit singles and FM radio staples introduced the band in spectacular fashion, and was a delightful and refreshing change from about of the music popular at that time. Includes some of their best and most well-known songs ('Rain King', 'Mr. Jones', 'Circular Here', 'Omaha') These, in addition to joys such every bit 'Anna Begins' and the album closer, 'A Murder of 1', makes this album always a wonderful heed. Yet, the album does have a couple weak spots, which is enough to go along information technology from claiming the very summit spots on this list. Some weaker tracks on side 2 ('Ghost Train', 'Raining in Baltimore') slightly diminish the luminescence of the album. Although each of these songs are fine on their own, both of these somewhat dreary tracks together dampen the excitement and freshness of the album a bit. Still, a great album, but there are a couple that I think are even better.

two. Somewhere Under Wonderland (2014).

Their 7th and nonetheless their almost recent full anthology, and what a delight information technology is. A neat choice of songs, including what I recollect is their very best rocker, 'Dislocation', too as i of Adam's nearly impressive and passionate of his emotional songs 'Possibility Days', as well as an 8-minute story-song epic in 'Palisades Park' (Which Adam called the best song he'southward ever written). A diverse and compelling collection of songs from start to stop, also including the delightful state-rock of 'Cover Up the Sun', the pop-rock fun of 'Convulsion Driver' and 'Scarecrow' and the gentle beauty of 'God of Body of water Tides'. For me, this was the best album of 2014, by far, and it still is the anthology I play the about out of any from the last several years. Just great from start to stop. I merely have a couple very minor complaints: 1) the album is also short (ix songs, 41 minutes, making it the shortest of all Counting Crows albums), one more than song would have been keen; and 2) the sequencing, in that I would not accept opened the album with Palisades Park (with its plaintive lonely trumpet intro), equally it is non representative of nearly of the anthology and does not brand a not bad opener. It'southward a great song, but not a great album opener. Other than those minor bug, a thoroughly great album, and certainly one of their very all-time. Not a weak track on it.

one. This Desert Life (1999).

For me, this is their best all-around album, and 1 of my favorite albums of all time. Simply cracking from start to finish. And this is the album that they really came together as a great stone band, featuring all aspects of the band, a variety of styles, and simply great melodies, arrangements, and songs. Consists of a prissy mix of uptempo songs, strong melodies and grooves, along with Adam's slower emotional heartwrenchers in a delectable blend. Opening with the more rockin' 'Hanginaround' and the fantastic rollicking piano groove of 'Mrs. Potter's Lullaby', the album just shines throughout. From the sparse, simply melodic tiresome emotional songs like 'Colorblind' and 'Amy Hit The Atmosphere' to the more uptempo bulldoze, groove, and beautiful melodies of '4 Days', 'All My Friends;, and 'Loftier Life' to the emotional angst of 'I Wish I Was a Daughter' to the mandolin flourishes of 'St. Robinson in his Cadillac Dream', are but a delight throughout. Also includes a subconscious bonus track, the energetic and delightful rocker 'Child Things'. The bonus track also includes some recording session dialog and nonsense, which is not needed, but not too much of a distraction either. Excellent album.

You may be wondering where I would identify their newest, the 2021 EP Butter Miracle Suite One? Well, its hard to evaluate relative to their albums, with it only containing 4 songs. But based on those 4 songs, which are quite proficient, but not quite among their best, and assuming a total anthology would be of comparable quality to those songs, I would probably place it somewhere around the middle of their output, right around Hard Candy (non their best, but still quite good), and all of their music is worth checking out.

Ok, so that's where I stand on Counting Crows. What practise you think? What are your favorites?

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Source: https://bbchron.blogspot.com/2021/08/

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